Pumpkin carving templates
1155 free printable stencils. Download, print, trace, carve.
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Simple Daisy Flower
A cheerful five-petal daisy with a round center, sized to fill the front of a medium pumpkin. Nothing is pierced through: you shave the skin off each petal and the center circle so they glow softly while the outlines stay as untouched rind. Because this is an easy shading design, scrape each petal to an even depth of about half the wall thickness so all five light up with the same warm tone.
Six-Leaf Tree
A slender trunk rises from a curved ground line and branches into six almond shaped leaves, three on each side, each one a separate glowing opening. The trunk, leaves, and base arc are all cut through while the space between them stays solid, so the tree reads clearly from across the yard. Carve the leaves from the center outward and leave the narrow branch junctions for last on this medium design.
Sixteen-Petal Sunflower
A sixteen-petal sunflower blooms across the whole face of the pumpkin, complete with a dotted seed head, layered leaves, and a curving stem. This is a skin-shave design: you peel the skin inside every petal and leaf while leaving orange outlines and vein lines untouched, so no light shines through. Sharpen your tools before starting and shave the big petals in long strokes from base to tip for smooth, even texture.
Sneering Fangs and Slanted Eyes
A sinister face with narrow slanted eyes, a slim angled nose, and a wide sneering mouth bristling with pointed fangs top and bottom. Eyes, nose, and mouth are pierced clean through, with the fang shapes left as solid teeth jutting into the glowing opening. Even though it rates easy, the fang tips are fragile; cut each tooth from base to point and let the waste fall away instead of pulling it free.
Sorrow Brows and Falling Tears
A theatrically miserable face with layered droopy brow wrinkles stacked like ribs above two barred, half-lidded eyes, a long drooping nose, and a deep striped frown, all surrounded by cascading columns of teardrops. Every wrinkle, bar, and tear is cut through, creating an ornate pattern of dozens of small openings. This expert carve is all about sequence: work from the center outward and leave the fragile tear columns at the edges for last.
Sun With Eight Rays
A bold sun built from a glowing circular ring surrounded by eight fat triangle rays, evenly spaced like a compass. Every ray and the ring band are cut fully through, so the whole emblem blazes with candlelight while the center disc and surrounding skin stay dark. This easy design suits first-time carvers; cut the ring in short arc sections rather than one continuous pass to keep the circle round.
Sunflower with a Curled Center
A show-stopping sunflower with two rings of layered petals around a big textured seed head, flanked by veined leaves below. This expert shading piece uses multiple depths: petals shaved smooth, petal shadows cut deeper where layers overlap, and the center stippled with dozens of tiny seed dimples. Rough in all the petal shapes at one shallow depth first, then return to carve the overlaps, saving the seed texture for last.
Sunflower with Eleven Petals
A tall sunflower blooms across the whole pumpkin face, with eleven glowing petals radiating around a dark seed disc dotted with tiny pinprick holes, plus a straight stem and two leaves below. The petals, stem, and leaves are shaved to the flesh rather than pierced, while the seed dots are drilled through for sparkle. For this medium shading design, etch all the petal outlines first, then peel each petal evenly and finish by drilling the seed dots in a loose spiral.
Sunflower with Layered Petals
A lush sunflower filling the pumpkin face, with a densely dotted seed head ringed by two overlapping layers of pointed petals and broad leaves fanning out below. It is carved entirely as continuous-wall relief, shaving the skin at multiple depths so petals overlap realistically with no pierced openings. As an expert project, plan your levels first: deepest around the outer background, shallower between petal layers, and the seed dome nearly untouched.
Three Leaves With Kept Veins
Three oak-style leaves tumble down the tall face of the pumpkin, each one cut through around its lobed outline while a central vein of rind is kept intact up the middle. Those uncut vein strips split each glowing leaf in two and give the design its realistic structure. The veins are also the fragile part of this medium carve, so cut each leaf as two separate halves on either side of the vein and never pry against the strip itself.
Three Maple Leaves and Dots
Three maple leaves drift diagonally down the pumpkin, each one cut fully through with its stem, and small round holes scattered between them like floating seeds. The pierced leaves throw crisp, recognizable maple silhouettes of light, making this a lovely all-autumn design rather than a strictly Halloween one. Saw each leaf point from the tip inward and remove the waste in sections so the notched edges stay sharp.
Three Mountains and Moon
A minimalist night landscape made of three simple triangle peaks in a row with a full round moon floating above them. Each triangle and the circle are cut cleanly through, turning the pumpkin into a tiny glowing mountain scene. This is one of the easiest patterns to carve; keep the triangle points sharp by cutting into each corner from both directions instead of turning the blade.
Three Mushrooms and Four Dots
Three toadstool mushrooms of staggered heights cluster at the base of a tall pumpkin, with four round dots floating above them like drifting spores. The mushroom caps, stems, and dots are all cut fully through, so the whole woodland scene glows as connected pools of light. For this medium carve, cut the two small side mushrooms first to warm up, then tackle the big center cap; leave the narrow stem-to-cap junctions until your final passes.
Three Spotted Mushrooms
Three spotted toadstools rise from a tuft of grass, one tall cap flanked by two smaller mushrooms. This is a shading pattern: you shave away the skin around the stems and caps so they glow softly, while the round spots are scraped a touch deeper for contrast. Nothing is pierced through, which keeps the pumpkin sturdy. Work in shallow layers and stop when light just starts to show through the wall.
Three Unequal Evergreen Trees
Three tiered evergreen trees of different heights stand side by side, each with a short trunk, forming a tidy little glowing forest. Every tree is cut through as its own complete silhouette, and since none of the shapes touch, each cutout releases cleanly on its own. It is an easy, satisfying carve; start with the tall center tree, cut each stepped branch layer from the outside tip inward, and finish with the little trunks.
Three-Tier Pine Tree
A stately three-tier pine tree with swooping boughs and a short trunk base, cut fully through so the whole evergreen glows like a lantern. The layered branches create six pointed tips where each tier sweeps upward. Cut from the trunk upward one tier at a time, and slow down at every branch point so the tips stay sharp instead of rounding off.
Triangle Eyes and Twin Teeth
The timeless jack-o'-lantern: two bold triangle eyes, a matching triangle nose, and a wide friendly smile with two square teeth breaking the curve. Every feature is cut fully through, leaving the rest of the pumpkin smooth so the glowing shapes do the talking. Straight lines make this an ideal easy carve; score the triangles with a ruler edge first and the cuts will fall right in place.
Turkey Pumpkin Stencil
A plump, strutting turkey faces forward with wings spread and fan tail displayed on this expert-level animal pumpkin stencil. The design is a dense interlocking map of curved feather sections, body masses, and a detailed head with wattle, all separated by thin white bridges that must stay solid. Because so many narrow bridges cross each other, work from the outermost tail feather tips inward toward the body, removing each isolated section fully before moving to the next rather than skipping around.
Two Hoofprints and an Oak Leaf
Two split deer hoofprints, each with a pair of dewclaw dots beneath, share the pumpkin with a lobed oak leaf and a few scattered accent dots for a woodsy, cabin-porch feel. Every track, dot, and the leaf is fully cut through with plenty of solid skin between elements. It is a comfortable medium carve; poke a starter hole in each small dot and cut those first, since tiny circles are easiest while the surrounding wall is still rigid.
Two Maple Leaves Pumpkin Stencil
Two maple leaves are shown on the same stencil sheet, stacked vertically: the upper leaf faces right with its stem pointing up, the lower leaf faces left with its stem trailing down. Both are cut as single solid silhouettes with the pointed maple-lobe edges forming the outline. Lit from inside, the two glowing leaf shapes overlap slightly at center, giving the pumpkin a layered, scattered-leaves feel. Carve the upper leaf first and fully remove it before starting the lower leaf so the two openings don't inadvertently merge along their closest edges.
Two Mushrooms Pumpkin Stencil
Two mushrooms fill this easy pumpkin stencil: a large one with a wide rounded cap dotted by three circular spots and two curved gill lines beneath, and a smaller companion mushroom to its right with a dome cap and two dots. Both stems and root tendrils are cut through as open shapes against solid pumpkin wall, giving the lit jack-o-lantern a clean, whimsical forest-floor silhouette. Leave the solid ridgeline that separates the large cap from the gill area intact as a natural bridge, cutting it would cause the gill shapes to fall free.
Two Unequal Oak Leaves
Two oak leaves of different sizes drift diagonally across the pumpkin, their lobed edges captured in crisp detail. Both leaves are cut fully through the wall, so each one glows like a lantern-lit leaf caught mid-fall. This medium design's challenge is the wavy lobed outline, so use a fine-tooth saw and pivot at every lobe notch, removing each leaf in two or three pieces instead of forcing out one large chunk.
Wide-Eyed Owl on a Branch
A magnificent wide-eyed owl perched on a curving branch, rendered in layered relief: feathered brow tufts, a sharp beak, ringed eyes, overlapping wing feathers, and a scalloped breast. Nothing is pierced; the entire portrait is carved by shaving the skin to varying depths so backlight grades from bright to dim across the feathers. This is expert work, so sharpen your loop tools, carve the deepest layers around the eyes first, and build the feather texture in shallow passes.
Woodland Toadstool Relief
An enchanted cluster of spotted toadstools carved in deep relief: one grand mushroom with a striped, gilled underside towers over smaller caps, ribbed stems, and leafy ground cover below. There are no pierced holes; the whole scene is sculpted by shaving the wall to different depths so light glows warmest under the big cap. This expert design rewards planning, so rough out the major cap shapes first and save the fine gill lines and spots for last.