25 Intermediate Autumn Pumpkin Patterns

Explore 25 distinct intermediate autumn pumpkin patterns from the stencil library.

1. Leaf Columns and Diamond Rows
Designed for tall, elongated pumpkins, this pattern runs two columns of paired leaf openings up the sides with a ladder of small diamonds climbing the center strip between them. Every leaf and diamond is cut through, turning the whole pumpkin into a glowing botanical lantern. Work from the bottom rows upward so the shell above stays strong while you carve, and keep the leaf pairs level with each other as you go.
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2. Wide Wings and Notched Tail
A bird bursts forward with both wings spread wide, every flight feather notched along the wing edges, above a fanned notched tail. The whole spread-wing shape is one dramatic cut-through, so the bird blazes as a single figure of light. Rated medium because of the many feather notches along the wingtips; cut the main body opening first, then nibble out each feather notch with short strokes so the points stay defined.
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3. Eight Petals and Three Seeds
Eight oval petals radiate from a dotted center like a stylized sunflower, with three small seed holes in the middle and a leafy stem opening anchoring the bloom below. Each petal is a pierced oval, and the skin spokes left between them hold the flower together while letting light pour through. Cut opposite petals in pairs, top then bottom, left then right, so the spokes never take uneven strain.
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4. Deer Head with Eight Tines
A buck's head glows from the pumpkin with a full eight-tine rack of antlers, alert ears, and a rounded muzzle, all carved as connected pierced openings. The antler beams branch symmetrically above the head, throwing dramatic spiky light. The narrow antler tines are the challenge here; saw each tine from its tip down toward the main beam and avoid twisting the blade so the slender channels stay clean.
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5. Two Hoofprints and an Oak Leaf
Two split deer hoofprints, each with a pair of dewclaw dots beneath, share the pumpkin with a lobed oak leaf and a few scattered accent dots for a woodsy, cabin-porch feel. Every track, dot, and the leaf is fully cut through with plenty of solid skin between elements. It is a comfortable medium carve; poke a starter hole in each small dot and cut those first, since tiny circles are easiest while the surrounding wall is still rigid.
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6. Apple Leaf and Four Holes
A plump apple with a stem and single leaf glows at the front, trailed by a diagonal line of four round holes like tumbling seeds. The apple body, leaf, and dots are all pierced through, with the stem notch left as dark shell between them. A great pick for classrooms and teacher gifts; punch the four small holes with a corer first, then saw the apple outline in slow curves.
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7. Bee with Three Raw Stripes
A friendly bumblebee spreads four scalloped wings wide, with a round head, curled antennae, and a plump body banded by three raw stripes. This is a shading design with no pierced holes: the wings, head, and body stripes are shaved down to pale flesh while strips of dark skin form the outlines and bands. Shave the big wing panels first, then refine the narrow antennae with a small gouge.
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8. Sunflower with Eleven Petals
A tall sunflower blooms across the whole pumpkin face, with eleven glowing petals radiating around a dark seed disc dotted with tiny pinprick holes, plus a straight stem and two leaves below. The petals, stem, and leaves are shaved to the flesh rather than pierced, while the seed dots are drilled through for sparkle. For this medium shading design, etch all the petal outlines first, then peel each petal evenly and finish by drilling the seed dots in a loose spiral.
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9. Eight Petals with Leaf Pair
Eight almond-shaped petals radiate around a solid center in this graceful flower design, with a pair of pointed leaves below and small accent holes dotting each side like falling seeds. All the petals, leaves, and dots are pierced through while the round flower center stays intact, held by the uncut spokes between petals. For this medium carve, cut opposite petals in pairs as you work around the circle so pressure stays balanced and the center never loosens.
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10. Fifteen Sweeping Almond Leaves
Fifteen almond-shaped leaves sweep upward in two mirrored arcs, curving around the pumpkin's face like a laurel wreath opening toward the stem. Each leaf is cut fully through, so the whole design becomes an elegant pierced lantern with no face at all. Alternate sides as you cut, removing one leaf on the left and then its mirror on the right, to keep the wall's strength balanced throughout.
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11. Three Mushrooms and Four Dots
Three toadstool mushrooms of staggered heights cluster at the base of a tall pumpkin, with four round dots floating above them like drifting spores. The mushroom caps, stems, and dots are all cut fully through, so the whole woodland scene glows as connected pools of light. For this medium carve, cut the two small side mushrooms first to warm up, then tackle the big center cap; leave the narrow stem-to-cap junctions until your final passes.
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12. Two Unequal Oak Leaves
Two oak leaves of different sizes drift diagonally across the pumpkin, their lobed edges captured in crisp detail. Both leaves are cut fully through the wall, so each one glows like a lantern-lit leaf caught mid-fall. This medium design's challenge is the wavy lobed outline, so use a fine-tooth saw and pivot at every lobe notch, removing each leaf in two or three pieces instead of forcing out one large chunk.
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13. Saguaro with Desert Sun
A tall saguaro cactus with two upraised arms stands over a desert floor of scrub grass, scattered stones, and a distant ridge, with a round sun hanging in the sky. The whole southwestern scene is skin-shave shading: each element is peeled to pale flesh while the pumpkin wall stays sealed. At medium difficulty, peel the big cactus trunk in long vertical strokes to mimic its natural ribs, then add the small ground details last.
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14. Three Maple Leaves and Dots
Three maple leaves drift diagonally down the pumpkin, each one cut fully through with its stem, and small round holes scattered between them like floating seeds. The pierced leaves throw crisp, recognizable maple silhouettes of light, making this a lovely all-autumn design rather than a strictly Halloween one. Saw each leaf point from the tip inward and remove the waste in sections so the notched edges stay sharp.
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15. Three Leaves With Kept Veins
Three oak-style leaves tumble down the tall face of the pumpkin, each one cut through around its lobed outline while a central vein of rind is kept intact up the middle. Those uncut vein strips split each glowing leaf in two and give the design its realistic structure. The veins are also the fragile part of this medium carve, so cut each leaf as two separate halves on either side of the vein and never pry against the strip itself.
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16. Maple Leaf and Twelve Diamonds
A big pointed maple leaf glows at the center while twelve small diamonds ring it like sparks, giving the design a festive burst of fall energy. The leaf and every diamond are cut completely through, so the whole arrangement shines as one radiant cluster. At medium difficulty, carve the maple leaf's deep notches with straight relief cuts into each valley, then finish the diamonds last since their small size makes them quick and forgiving.
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17. Frothy Four-Panel Beer Mug
A frothy beer mug fills the pumpkin, its billowing head of foam spilling over a four-panel glass body and a sturdy curved handle. This is a shaded design carved into a continuous wall, so the mug is shaved out of the skin rather than pierced, which keeps the foam bubbles and panel lines intact. Shave the foam shallow and fluffy, then go slightly deeper on the four panels so the glass glows brighter than the head.
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18. Snowcap Peaks and Moon
A wide arched window is carved through the pumpkin with three mountain peaks left standing in dark silhouette, while a full moon glows from a separate round opening above. The sky area around the peaks gets cut away and small snowcap notches pierce the summits, so light outlines the whole range. Keep the peak silhouettes attached at the base as you saw the sky sections, since they anchor the entire scene.
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19. Six-Leaf Tree
A slender trunk rises from a curved ground line and branches into six almond shaped leaves, three on each side, each one a separate glowing opening. The trunk, leaves, and base arc are all cut through while the space between them stays solid, so the tree reads clearly from across the yard. Carve the leaves from the center outward and leave the narrow branch junctions for last on this medium design.
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20. Moonlit Tent & Campfire
A cozy campsite scene: a peaked tent with an open door flap, a crackling campfire on crossed logs, two pine trees, and a full moon overhead. It is all continuous-wall shading, so you shave each shape down to glowing flesh while the orange skin between them stays untouched. Etch the largest areas like the tent walls first, then refine the flame tips and pine branches with a small gouge for clean edges.
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21. Little Etched Hedgehog
A sweet little hedgehog shown in profile, with a pointed snout, a dot eye, tiny feet, and a back full of spiky quills rendered as star-like bursts. Nothing is pierced; you shave away only the outer skin inside the outline so the pale flesh forms the hedgehog against the dark rind. Use a shallow loop tool and keep an even depth so the quill points stay crisp.
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22. Four-Wing Dragonfly
A graceful dragonfly spreads four broad wings from a segmented body that runs straight down the pumpkin, with two small antennae curling from its head. Nothing is pierced; instead you shave the skin inside each wing and body segment so the shapes read as pale etched panels against the orange rind. Use a loop tool and keep the shave shallow so the wing outlines stay crisp.
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23. Three Spotted Mushrooms
Three spotted toadstools rise from a tuft of grass, one tall cap flanked by two smaller mushrooms. This is a shading pattern: you shave away the skin around the stems and caps so they glow softly, while the round spots are scraped a touch deeper for contrast. Nothing is pierced through, which keeps the pumpkin sturdy. Work in shallow layers and stop when light just starts to show through the wall.
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24. Moon & Stars Over Hills
A crescent moon hangs over a band of rolling hills while four small stars dot the sky above. Nothing is pierced: you shave away only the skin inside the moon, stars, and hill line, leaving a thin wall that glows soft amber when lit. Keep your shaving depth even, about a quarter inch, so the moon and hills light up at the same brightness across the whole scene.
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25. Scalloped-Wing Bat
A wide-winged bat hangs in the center of a glowing scalloped panel, its scalloped wing edges and small round eyes standing out in dark relief. You shave the skin away around the bat so the shape stays raw pumpkin while the shaved field lights up behind it. Keep your shading depth even across the whole panel so the backlight glows uniformly around those wing scallops.
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