Pumpkin carving templates
1155 free printable stencils. Download, print, trace, carve.
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Scalloped-Wing Bat
A wide-winged bat hangs in the center of a glowing scalloped panel, its scalloped wing edges and small round eyes standing out in dark relief. You shave the skin away around the bat so the shape stays raw pumpkin while the shaved field lights up behind it. Keep your shading depth even across the whole panel so the backlight glows uniformly around those wing scallops.
Scarecrow Face Pumpkin Stencil
Two large round eyes with small eyebrow hooks above each, a pair of pointed teardrop nostrils, and a wide toothy grin with sharp downward-pointing fangs give this scarecrow face its slightly sinister character on this easy pumpkin stencil. All cut pieces are chunky and well-separated, making this a comfortable carve despite its spooky look. To keep the row of fang tips from chipping, make the two vertical cuts on each fang before the horizontal base cut that frees the piece.
Scarecrow Pumpkin Stencil
A friendly scarecrow stands arms-out in classic T-pose: a brimmed hat with a small torn-corner flap, a round face with X eyes and a stitched-line smile, a necktie, straw tufts poking from the sleeves and hem, and a central post below the body. The design uses a mix of open cuts for the background spaces and solid orange bridges that form the straw strands, clothing triangles, and facial features. When lit, the scarecrow appears as a warm silhouette with the straw tufts back-lit individually. Cut the small X-eye shapes and the stitched smile first, as these tiny marks are hardest to control once surrounding material is removed.
Simple Glowing Cross
A tall Christian cross glows from the center of the pumpkin, with slightly tapered arms that give the shape a hand-hewn, rustic feel. The entire cross is cut through, so candlelight pours out in one bold symbol while the rest of the shell stays untouched. Since this is an easy single-opening design, take the vertical beam in two long, steady strokes and the crossbar last to keep every edge crisp.
Sitting Rabbit with Long Ears
A serene rabbit sits in profile with tall upright ears, delicate whiskers, and a rounded haunch, filling most of the pumpkin's face. The entire figure is shaved from the skin as a raised relief, with fine scored lines suggesting fur and limb contours, so nothing pierces the wall and it works beautifully as a table centerpiece. Shave the broad body areas first, then add the fur strokes with light flicks of a detail knife.
Six-Leaf Tree
A slender trunk rises from a curved ground line and branches into six almond shaped leaves, three on each side, each one a separate glowing opening. The trunk, leaves, and base arc are all cut through while the space between them stays solid, so the tree reads clearly from across the yard. Carve the leaves from the center outward and leave the narrow branch junctions for last on this medium design.
Sixteen-Petal Sunflower
A sixteen-petal sunflower blooms across the whole face of the pumpkin, complete with a dotted seed head, layered leaves, and a curving stem. This is a skin-shave design: you peel the skin inside every petal and leaf while leaving orange outlines and vein lines untouched, so no light shines through. Sharpen your tools before starting and shave the big petals in long strokes from base to tip for smooth, even texture.
Snowcap Peaks and Moon
A wide arched window is carved through the pumpkin with three mountain peaks left standing in dark silhouette, while a full moon glows from a separate round opening above. The sky area around the peaks gets cut away and small snowcap notches pierce the summits, so light outlines the whole range. Keep the peak silhouettes attached at the base as you saw the sky sections, since they anchor the entire scene.
Standing Duck with Webbed Feet
A standing duck in profile, from its rounded bill down to its webbed feet, with layered feather detail across the folded wing and breast. This is a skin-shaving pattern rather than a pierced one: the duck's body is etched to glow while the surrounding skin stays dark, and feather lines are scored deeper for texture. Shave the broad body areas first, then add the fine feather strokes last so a slip cannot erase your detail work.
Sunflower with a Curled Center
A show-stopping sunflower with two rings of layered petals around a big textured seed head, flanked by veined leaves below. This expert shading piece uses multiple depths: petals shaved smooth, petal shadows cut deeper where layers overlap, and the center stippled with dozens of tiny seed dimples. Rough in all the petal shapes at one shallow depth first, then return to carve the overlaps, saving the seed texture for last.
Sunflower with Eleven Petals
A tall sunflower blooms across the whole pumpkin face, with eleven glowing petals radiating around a dark seed disc dotted with tiny pinprick holes, plus a straight stem and two leaves below. The petals, stem, and leaves are shaved to the flesh rather than pierced, while the seed dots are drilled through for sparkle. For this medium shading design, etch all the petal outlines first, then peel each petal evenly and finish by drilling the seed dots in a loose spiral.
Sunflower with Layered Petals
A lush sunflower filling the pumpkin face, with a densely dotted seed head ringed by two overlapping layers of pointed petals and broad leaves fanning out below. It is carved entirely as continuous-wall relief, shaving the skin at multiple depths so petals overlap realistically with no pierced openings. As an expert project, plan your levels first: deepest around the outer background, shallower between petal layers, and the seed dome nearly untouched.
Three Leaves With Kept Veins
Three oak-style leaves tumble down the tall face of the pumpkin, each one cut through around its lobed outline while a central vein of rind is kept intact up the middle. Those uncut vein strips split each glowing leaf in two and give the design its realistic structure. The veins are also the fragile part of this medium carve, so cut each leaf as two separate halves on either side of the vein and never pry against the strip itself.
Three Maple Leaves and Dots
Three maple leaves drift diagonally down the pumpkin, each one cut fully through with its stem, and small round holes scattered between them like floating seeds. The pierced leaves throw crisp, recognizable maple silhouettes of light, making this a lovely all-autumn design rather than a strictly Halloween one. Saw each leaf point from the tip inward and remove the waste in sections so the notched edges stay sharp.
Three Mountains and Moon
A minimalist night landscape made of three simple triangle peaks in a row with a full round moon floating above them. Each triangle and the circle are cut cleanly through, turning the pumpkin into a tiny glowing mountain scene. This is one of the easiest patterns to carve; keep the triangle points sharp by cutting into each corner from both directions instead of turning the blade.
Three Mushrooms and Four Dots
Three toadstool mushrooms of staggered heights cluster at the base of a tall pumpkin, with four round dots floating above them like drifting spores. The mushroom caps, stems, and dots are all cut fully through, so the whole woodland scene glows as connected pools of light. For this medium carve, cut the two small side mushrooms first to warm up, then tackle the big center cap; leave the narrow stem-to-cap junctions until your final passes.
Three Spotted Mushrooms
Three spotted toadstools rise from a tuft of grass, one tall cap flanked by two smaller mushrooms. This is a shading pattern: you shave away the skin around the stems and caps so they glow softly, while the round spots are scraped a touch deeper for contrast. Nothing is pierced through, which keeps the pumpkin sturdy. Work in shallow layers and stop when light just starts to show through the wall.
Three Unequal Evergreen Trees
Three tiered evergreen trees of different heights stand side by side, each with a short trunk, forming a tidy little glowing forest. Every tree is cut through as its own complete silhouette, and since none of the shapes touch, each cutout releases cleanly on its own. It is an easy, satisfying carve; start with the tall center tree, cut each stepped branch layer from the outside tip inward, and finish with the little trunks.
Three-Tier Pine Tree
A stately three-tier pine tree with swooping boughs and a short trunk base, cut fully through so the whole evergreen glows like a lantern. The layered branches create six pointed tips where each tier sweeps upward. Cut from the trunk upward one tier at a time, and slow down at every branch point so the tips stay sharp instead of rounding off.
Two Hoofprints and an Oak Leaf
Two split deer hoofprints, each with a pair of dewclaw dots beneath, share the pumpkin with a lobed oak leaf and a few scattered accent dots for a woodsy, cabin-porch feel. Every track, dot, and the leaf is fully cut through with plenty of solid skin between elements. It is a comfortable medium carve; poke a starter hole in each small dot and cut those first, since tiny circles are easiest while the surrounding wall is still rigid.
Two Maple Leaves Pumpkin Stencil
Two maple leaves are shown on the same stencil sheet, stacked vertically: the upper leaf faces right with its stem pointing up, the lower leaf faces left with its stem trailing down. Both are cut as single solid silhouettes with the pointed maple-lobe edges forming the outline. Lit from inside, the two glowing leaf shapes overlap slightly at center, giving the pumpkin a layered, scattered-leaves feel. Carve the upper leaf first and fully remove it before starting the lower leaf so the two openings don't inadvertently merge along their closest edges.
Two Unequal Oak Leaves
Two oak leaves of different sizes drift diagonally across the pumpkin, their lobed edges captured in crisp detail. Both leaves are cut fully through the wall, so each one glows like a lantern-lit leaf caught mid-fall. This medium design's challenge is the wavy lobed outline, so use a fine-tooth saw and pivot at every lobe notch, removing each leaf in two or three pieces instead of forcing out one large chunk.
Unequal Arms Saguaro
A tall saguaro cactus rises up the pumpkin with two curving arms set at different heights, one reaching high and one bent low. The entire cactus is a single pierced cutout, so the whole plant glows as one bold desert silhouette. This easy design has no fiddly interior pieces; just take the inside curves of the arms slowly so the elbow bends come out smooth rather than angular.
Veined Seven-Leaflet Cannabis
A detailed seven-leaflet cannabis leaf spreads across the pumpkin, each serrated leaflet shaved into the skin with its center vein and feathered side veins left as raised lines. Nothing is pierced, so the leaf reads as pale botanical relief against the dark rind day or night. This hard etch rewards patience; score every vein with a v-gouge first, then shave the leaflet panels down to a matching depth around them.
Walking Bear Silhouette
A bear strides across the pumpkin in full profile, head lowered slightly and all four legs mid-step. This is a shading pattern with no pierced holes: you shave the skin away inside the bear so the lighter flesh forms the whole animal in warm relief. Work from the spine outward in long strokes, and shave a touch deeper around the legs and muzzle so the outline stays well defined.
Wide Wings and Notched Tail
A bird bursts forward with both wings spread wide, every flight feather notched along the wing edges, above a fanned notched tail. The whole spread-wing shape is one dramatic cut-through, so the bird blazes as a single figure of light. Rated medium because of the many feather notches along the wingtips; cut the main body opening first, then nibble out each feather notch with short strokes so the points stay defined.
Wide-Eyed Owl on a Branch
A magnificent wide-eyed owl perched on a curving branch, rendered in layered relief: feathered brow tufts, a sharp beak, ringed eyes, overlapping wing feathers, and a scalloped breast. Nothing is pierced; the entire portrait is carved by shaving the skin to varying depths so backlight grades from bright to dim across the feathers. This is expert work, so sharpen your loop tools, carve the deepest layers around the eyes first, and build the feather texture in shallow passes.
Woodland Toadstool Relief
An enchanted cluster of spotted toadstools carved in deep relief: one grand mushroom with a striped, gilled underside towers over smaller caps, ribbed stems, and leafy ground cover below. There are no pierced holes; the whole scene is sculpted by shaving the wall to different depths so light glows warmest under the big cap. This expert design rewards planning, so rough out the major cap shapes first and save the fine gill lines and spots for last.